March 29, 2009
As power - mostly invisible - acts and what she does with people, one of the tried -partner initiative organized festival in moving images to keep in mind. Since January it is aligned in German theaters until the fall of 2009 then in 120 cities, from Aachen to Zeil am Rhein.
The organizers as well as the filmmakers, it's not about to assume the existence of a central authority; Rather, the various forms of power whose mechanisms and dealing with it should be pointed out - For example, in juvenile violence, culturally conditioned suppression, political repression or based on corruption and unscrupulousness in the economy. The time this could certainly be no better. Let's see whether also many a politician, banker or manager lost in the cinema.
On display are 13, this country is still largely unknown documentaries, some in their original language with subtitles:
- Citizen Havel (TCH, 2008), directed by Miroslav Janek, Pavel Koutecký
- The thin girl (D, 2008), Director: Maria Teresa Camoglio
- The guilt to be a woman (PAH / USA, 2006), directed by Mohammed Naqvi
- Faustrecht (CH, 2007), Director: Robi Müller, Bernard Weber
- For God, Tsar and Fatherland (D / F, 2007), Director: Nino Kirtadze
- Legislature (USA, 2006) Director: Frederick Wiseman
- Her Name is Sabine (F, 2007): Sandrine Bonnaire
- Manda Bala - Send a Bullet (BRA / USA, 2007), Director: Jason Kohn
- Monsanto - With poison and genes (F, 2007), directed by Marie Monique Robin
- Ruhnama - In the shadow of the holy book (FIN, 2007), directed by Arto Halonen
- Strange Culture (USA, 2007), directed by Lynn Hershman Leeson
- Strike (t) space (F, 2007), Director: Matthieu Chatellier, Daniela de Felice
- Zuoz - School of Elite (F / AUT, 2007), directed by Daniella Marxer
My personal favorite: "My Darling", "legislator", "Ruhnama", "Strange Culture" and finally "Monsanto", which yes in the current zeitgeist issue 1-2009 was discussed.
Places, fixtures and film content, including background information, see the clearly ambiguous domain Over-Macht.de .
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